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	<title>MUVEDesign &#187; keynote</title>
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		<title>Conference Presenting: Social TV, Augmented Reality Event and GameTech</title>
		<link>http://www.muvedesign.com/conference-presenting-social-tv-augmented-reality-event-and-gametech/</link>
		<comments>http://www.muvedesign.com/conference-presenting-social-tv-augmented-reality-event-and-gametech/#comments</comments>
		<pubDate>Thu, 21 Apr 2011 04:04:03 +0000</pubDate>
		<dc:creator>Gary</dc:creator>
				<category><![CDATA[Augmented Reality]]></category>
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		<guid isPermaLink="false">http://www.muvedesign.com/?p=457</guid>
		<description><![CDATA[Gary is representing MUVEDesign at three conferences coming up that reflect the nature of the three keys areas of the business. At the TV Show Australia next week he is presenting about Social Television now and in the near future and how Inspiring the stories of tomorrow with social mediawill make TV truly and finally <a href='http://www.muvedesign.com/conference-presenting-social-tv-augmented-reality-event-and-gametech/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>Gary is representing MUVEDesign at three conferences coming up that reflect the nature of the three keys areas of the business.</p>
<ol>
<li>At the TV Show Australia next week he is presenting about Social Television now and in the near future and how <strong>Inspiring the stories of tomorrow with social media</strong>will make TV truly and finally interactive
<p><div id="attachment_465" class="wp-caption alignright" style="width: 348px"><img class="size-full wp-image-465" style="margin: 10px;" title="Augmented Reality Event" src="http://www.muvedesign.com/wp-content/uploads/2011/04/Screen-shot-2011-04-21-at-1.57.02-PM.png" alt="" width="338" height="186" /><p class="wp-caption-text">Santa Clara Convention Center</p></div></li>
<li>In Santa Clara, CA he is opening the business track by presenting <strong>New Augmented Reality Business Models</strong> at the worlds biggest Augmented Reality Conference known as the <strong><em>Event</em></strong></li>
<li>And in June Gary is presenting at GameTech on <strong>Pervasive Entertainment</strong> and the excitingÂ merging of Games, Film/TV, Geo-Caching and Social Media</li>
</ol>
<p>Gary is also presenting at various adhoc conferences such as Creative Sydney here where he is <a title="Creative Sydney" href="http://www.creativesydney.com.au/events/panel-discussions/are-you-experimental" target="_blank">MC&#8217;ing &amp; presenting on various Transmedia &amp; Multi-Platform Content sessions</a>.</p>
<p>More details on each of these below and if you want to speak to us about how MUVEDesign can help you realise your projects in these areas look at our <a href="http://www.muvedesign.com/services/">service</a> area and <a href="http://www.muvedesign.com/about/">contact</a> us here.</p>
<hr />
<p>&nbsp;</p>
<h2><a title="The TV Show Australia 2011" href="http://www.terrapinn.com/2011/tvshow/index.stm" target="_blank">&#8216;Multi-Platform&#8217; TV Show </a></h2>
<p><strong>Australia 2011 27-29 Apr Sydney</strong></p>
<div>
<p><a href="http://www.muvedesign.com/wp-content/uploads/2011/04/tvshow_oz.jpg"><img class="aligncenter size-full wp-image-463" title="tvshow_oz" src="http://www.muvedesign.com/wp-content/uploads/2011/04/tvshow_oz.jpg" alt="" width="550" height="97" /></a></p>
<p><strong>The TV Show </strong>is Australia&#8217;s only multiplatform TV conference. It is the first forum bringing together the value chain for multiplatform TV, with an emphasis on finding innovative ways of bringing services to the market. Content will enable decision-makers to evaluate technology, the costs involved and gain knowledge of roll outs and implementation.</p>
<ul>
<li>How to be a successful new entrant in the multi-platform TV market by harnessing innovation</li>
<li>How to better understand and engage with customers across multiple devices</li>
<li>How to develop new, interesting formats that will attract viewers and advertisers</li>
<li>How to use Apps to extend the TV experience across multiple screens</li>
<li>How to launch new services and build new revenue streams through Social TV</li>
<li>How to integrate Social TV apps within the EPG</li>
<li>How to create hype and build communities around branded entertainment</li>
</ul>
</div>
<div>Gary&#8217;s audience centric, social TV element followed by an interesting panel looking at community building around TV content.</div>
<p><span style="text-decoration: underline;"><strong>Day 2 Â 2.10pmÂ Inspiring the stories of tomorrow with social media</strong></span></p>
<div>
<div>
<div>
<ul>
<li>Including audiences in the creation of your stories</li>
<li>Differentiating your content with social features</li>
<li>Listening to the audience to produce more compelling stories</li>
</ul>
</div>
<div><a title="view further info on Mr Gary Hayes" href="http://www.terrapinn.com/2011/tvshow/SPK-mr-gary-HAYES.stm">Mr Gary Hayes</a>,Â Director &amp; Founder,Â <strong>MUVEdesign.com &amp; Storylabs.us</strong></div>
<div><strong><br />
</strong></div>
</div>
</div>
<div>
<p><span style="text-decoration: underline;"><strong>2.40pmÂ Panel discussion: How to distribute and market content on social networks</strong></span></p>
<div>
<div>
<ul>
<li>Getting the best from the social nature of TV</li>
<li>Virally distributing programming</li>
<li>Influencing conversations about your programme</li>
<li>Marketing your programme more successfully and cost effectivelyÂ with social media</li>
</ul>
</div>
<div>
<div>
<div><a title="view further info on  Laurel Papworth" href="http://www.terrapinn.com/2011/tvshow/SPK-laurel-PAPWORTH.stm">Laurel Papworth</a>,Â CEO,Â <strong><a title="The Community Crew" href="http://communitycrew.com" target="_blank">The Community Crew</a></strong></div>
<div><strong> </strong>Mr Iain McDonald,Â Founder &amp; Executive Creative Director,Â <strong>Amnesia Razorfish</strong></div>
<div><strong> </strong><a title="view further info on Ms Vanessa Stoykov" href="http://www.terrapinn.com/2011/tvshow/SPK-ms-vanessa-STOYKOV.stm">Ms Vanessa Stoykov</a>,Â Chief Executive Officer,Â <strong>Evolution Media Group</strong></div>
</div>
</div>
</div>
</div>
<p>&nbsp;</p>
<hr />
<p>&nbsp;</p>
<h2><a title="Augmented Reality Event 2011" href="http://augmentedrealityevent.com/schedule/" target="_blank">The Augmented Reality Event 2011 </a></h2>
<p><em><strong>May 17-18 Santa Clara, CA, USA</strong></em></p>
<p><a href="http://www.muvedesign.com/wp-content/uploads/2011/04/augmented_reality_event.jpg"><img class="aligncenter size-full wp-image-462" title="augmented_reality_event" src="http://www.muvedesign.com/wp-content/uploads/2011/04/augmented_reality_event.jpg" alt="" width="550" height="80" /></a></p>
<p>The Augmented Reality Event 2011 will feature industry luminaries: Bruce Sterling, Vernor Vinge, Will Wright, and Blaise Aguera y Arcas.Â ARE 2011 will include more than 100(!) speakers in 30 sessions organized into 3 tracks: business, technology &amp; programming, and production &amp; design.</p>
<p>The 2 day event will feature more thanÂ <strong>33 hours of talks</strong> running the gamut of AR essentials in 3 tracks: Business, Technology and Production:</p>
<ol>
<li><strong>Business â€“ For executives</strong> of established and start-up AR companies, as well as mobile hardware companies â€“ in search of business models and promising verticals for AR; Â a venue to form partnerships, learn about latest innovations, and most importantly speak with clients.</li>
<li><strong>Technology â€“ For Developers, programmers and technologists</strong> seeking the latest and greatest engines and tools for AR; learn from case studies and post mortems delivered by experienced developers from the leading companies in the space.</li>
<li><strong>Production â€“ For Producers, designers, project managers</strong> (in gaming companies, agencies, marketers, brands, and artists) hungry for proven techniques to leverage augmented reality to advance your brand, attract and keep your customers, and build successful campaigns and products that will delight users.</li>
</ol>
<p><strong>Day One â€“ Tuesday 17-May-2011</strong></p>
<ul>
<li>8:15-9:00 amÂ <strong>ARE 2011 Press Conference Â Moderated by Ryan Wagner </strong><em>Great America XK â€“ First Floor. </em>Opportunity for AR companies to announce new products with major tech media</li>
<li>9:00-9:45 amÂ <strong>Keynote: Bruce Sterling Wired </strong><em>Main Theater</em></li>
<li><span style="text-decoration: underline;">10:00-11:00 amÂ <strong>AR Market: Today and Tomorrow </strong><em>Business TrackÂ  (Great America J â€“ First Floor)</em></span>
<ul>
<li><strong>Gary Hayes</strong> (MUVEDesign)- New AR Business Models</li>
<li><strong>Laurel Papworth</strong> (<a title="Community Crew" href="http://communitycrew.com" target="_blank">Community Crew</a>) â€“ Building Mobile AR Social Communities for Business</li>
</ul>
</li>
</ul>
<p>&nbsp;</p>
<hr />
<p>&nbsp;</p>
<h2><a title="GameTech Sydney June 2011" href="http://www.game-tech.com.au/sessions.html" target="_blank">GameTech</a></h2>
<p><em><strong>21-22 June 2011 Sydney</strong></em></p>
<p><a href="http://www.muvedesign.com/wp-content/uploads/2011/04/gametech.jpg"><img class="aligncenter size-full wp-image-464" title="gametech" src="http://www.muvedesign.com/wp-content/uploads/2011/04/gametech.jpg" alt="" width="550" height="102" /></a></p>
<p>Video games and interactive entertainment has come of age, and it&#8217;s serious business.Â Games have emerged as the pinnacle of consumer entertainment. The interactive entertainment industry is now faced with unprecedented popularity, unparalleled growth and significant opportunity.</p>
<p><em><strong> â€œThe global video gaming market is expected to grow at a CAG Rate of 8.9% to reach $76.1bn in 2013â€*</strong></em></p>
<p>The benefits of this are not just restricted to the video game developers and publishers- all areas of the value chain and the wider industry are<strong>reaping the rewards of this growth opportunity. </strong>As users are shifting towards new platforms developers and publishers are changing their business models to wrestle for market share.</p>
<ul>
<li><strong>Gametech</strong> is a 2-day conference blitz of learning, inspiration, solutions, and networking. It is the most comprehensive event on games and interactive entertainment in the region, and will provide an unparalleled event experience.</li>
<li><strong>Gametech</strong> is for those who wish to benefit from the explosive growth in video gaming. Whether you are part of the industry value chain or whether you are considering interactive entertainment as a tool for your business.</li>
<li><strong>Gametech</strong> features visionary presentations, insightful case studies, lively debate and expert information on timely cutting-edge business topics of interactive entertainment and gaining from video gaming technology.</li>
</ul>
<p>Gary&#8217;s is presenting on key areas of Merged Media and how <strong><em>Gamification</em></strong> is acritical component of all multi-platform content forms</p>
<p><strong>1355 &#8211; Pervasive Entertainment &#8211; Games, Film, Music, Print &amp; TV merging with audience networks</strong></p>
<ul>
<li>Assessing the concept of Pervasive Entertainment and how it is affecting the games industry</li>
<li>How are brands extending to transmedia?</li>
<li>Reviewing the business models behind geo-social / augmented reality games</li>
<li>Learning form relevant case studies</li>
<li>What models of media production, distribution, and consumption are implied by these future</li>
<li>visions of entertainment?</li>
</ul>
<p><strong>Gary Hayes</strong>,Â Director <strong>MUVEDesign</strong> &amp; FounderÂ StoryLabs</p>
<p><strong>ROUNDTABLE 15.10 -Â Unleash the Power of Interactive Entertainment â€“ Diversifying Your Product Offering with Video Games</strong></p>
<ul>
<li>How has the appeal of video games widened to new audiences?</li>
<li>Underlying the process of developing games to compliment existing products</li>
<li>Is there a limit as to the nature of business capable of benefiting from games</li>
<li>Finding the right monetization model to support a standalone games product</li>
<li>Key ingredients for successful games for social media platforms</li>
<li>How can games and interactive entertainment incorporate features such as user-generated content, sharing, rewards and referral programs?</li>
<li>Key steps to monetize new social gaming environments?</li>
</ul>
<p><strong>Sam Doust </strong> Creative Director, Strategic Developmentâ€¨ <strong>ABC</strong></p>
<p><strong>David Peattie</strong> Managing Directorâ€¨ <strong>Hasbro</strong></p>
<p><strong>Hugh Baldwin</strong> Director of Television and Content Acquisitions â€¨<strong>Nickelodeon, MTV</strong></p>
<p><strong> Gary Hayes</strong> Director <strong>MUVEDesign</strong> &amp; Founder â€¨StoryLabs</p>
<p><strong><br />
</strong>
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		<title>Talk Transcript: Opportunities in Disruptive 3D Social Worlds</title>
		<link>http://www.muvedesign.com/talk-transcript-opportunities-in-disruptive-3d-social-worlds/</link>
		<comments>http://www.muvedesign.com/talk-transcript-opportunities-in-disruptive-3d-social-worlds/#comments</comments>
		<pubDate>Sat, 12 May 2007 23:32:27 +0000</pubDate>
		<dc:creator>Gary</dc:creator>
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		<guid isPermaLink="false">http://www.muvedesign.com/?p=88</guid>
		<description><![CDATA[NOTE: Based on my sticky post &#8216;The Brand Owners Guide to Joining the Metaverse&#8220;. As promised a rough transcript of my keynote talk to CeBit last week based on my experience of actually building some Second Life sims, talking to those who use them and creating branded environments that have more usage than any others <a href='http://www.muvedesign.com/talk-transcript-opportunities-in-disruptive-3d-social-worlds/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>NOTE: Based on my sticky post &#8216;<a href="http://www.personalizemedia.com/index.php/2007/02/04/the-brand-owners-guide-to-joining-the-metaverse/">The Brand Owners Guide to Joining the Metaverse</a>&#8220;.</p>
<p>As promised a rough transcript of my keynote talk to CeBit last week based on my experience of actually building some Second Life sims, talking to those who use them and creating branded environments that have more usage than any others inworld, so far. There will be a video and/or podcast at some point from <a href="http://www.cebittv.com.au/" target="_blank">CeBit TV</a> but for now lots of &#8216;nice&#8217; words and this YouTube video I uploaded&#8230;</p>
<blockquote><p><p><a href="http://www.muvedesign.com/talk-transcript-opportunities-in-disruptive-3d-social-worlds/"><em>Click here to view the embedded video.</em></a></p><br />
<span id="more-88"></span> &#8216;<br />
Hello Iâ€™m Gary Hayes and thank you for inviting me here to speak at CeBit this afternoon. I hope that by the end of this very brief introduction to virtual worlds, and particularly Second Life, you will be more aware of the major changes that are happening to what we used to call â€˜the webâ€™. Virtual worlds are a new disruptive and transformative medium and one that is becoming a significant force alongside our traditional media experiences. But it is still early days. It is the silent movie era, a bit like TV in the late 40s or the web itself in the early 90s â€“ but already virtual worlds are a place where the audience stops being the audience, who become and create their own stories. For those without any exposure to virtual worlds this talk will be a beginners guide and for those who already know something or a good deal about these 3D shared spaces there will perhaps be one or two surprises, Hopefully we will go inworld too if the connectivity gods are with us.</p>
<p>So what do we mean by virtual worlds. In very simple terms they are a bit like MySpace meets the Local Pub meets YouTube meets The Shopping Mall meets Flickr meets World of Warcraft &#8211; ok not that simple. We are really talking about non-game based, online spaces where people create new identities and become a part of a larger resident community. There are often no rules, only those set by the inhabitants themselves, this makes it a particular challenge for brands as we will see later (they don&#8217;t like to be told how to live!). Many of you would have heard of Second Life, with nearly 6 million registrations at the moment, but there are many others. Habbo is interesting as a simple isometric service for teens now with 76 million registrations and nearly 8 million regular users.  Playstation 3 is about to launch â€˜homeâ€™, a sort of virtual apartment suburbia connected to other PS3 players and EA games has just teamed up with Endemol to deliver what we sometimes call Mixed Reality (cross-over programmes between TV and virtual worlds). There are quite a few others such as there.com, Kaneva and many new kids growing up on the block such as multiverse, croquet or outback online. MTV Networks used the there.com engine to do some extremely interesting TV/Virtual World cross-over services like Laguna Beach, which I sadly wonâ€™t have time to talk about. Common to all of them are people using these shared worlds to interact with others around the globe, for hours at a time.</p>
<p>So what are the forces at work here, what is driving this change? Well I suppose there are two key ones. The first is the shift from humans wanting the internet to be more than the rather lonely and non-real time experience to one where as a â€˜participantâ€™ they can have real time, collaborative and far richer immersive social interactions. Note I am careful to not call them, the audience â€“ be aware that any media that still thinks of the residents of virtual worlds as audiences are doomed to failure. The second force at work here is to do with residents in worlds wanting to be far more active, creationist and imaginative. They are creating their own experiences versus passively consuming media, such as on TV or via YouTube for example. You have all heard of web 2.0 (blogs, wikis, flickr â€“ the sharing web) well I like to think of virtual worlds as &#8216;part&#8217; of <a href="http://www.personalizemedia.com/index.php/2006/08/27/virtual-worlds-web-30-and-portable-profiles/" target="_blank">web 3.0, the real time, co-creative web</a>. It is still about sharing but in a far more natural setting â€“ this is a space where you can walk up to someone and ask â€œWhere can I buy some shoes and will you come shopping with meâ€ versus typing the word shoes into some abstract search engine on the web and spending hours looking at flat pictures. A question I often get asked is, â€œIs this hype and something that will go away?â€ Absolutely not. I am old enough to have lived through the dawning of the web and early failed 3D world services, this is totally a part of that on-going evolution and this will now be here for good. The real question that should be asked, and perhaps the focus of my talk, is how are brands and professionals attempting to integrate into these spaces, will they create a virtual paradise or another dotcom burst?</p>
<p>The thing thatâ€™s common with all virtual worlds is the real time shared experience, and that should be the key to anyone thinking of setting up a branded space inside these worlds. Participants want to be just that, participants and co-creators. In a world like Second Life (now four times the size of San Francisco around 210 square miles) and where 99% of the content is made by the inhabitants, for a brand to simply plonk some souless buildings, or theme park, or even well displayed real world product falls way short of what the residents actually want. The message that we are getting from the inhabitants is for businesses to â€œplay with me, donâ€™t sell at me.â€ This is very important. These worlds are extremely  â€˜stickyâ€™ and inhabitants invest a great deal of themselves in co-creating the environment and the numbers speak for themselves. In second life at the moment there are over 200,000 unique entrants per day spending an average of 4 hours in world â€“ thatâ€™s nearly 1 million user hours, and with a population growing at around 30% per month you can see why many other virtual worlds will be popping up in the next few months and years to meet this demand.</p>
<p>Lets have a look at a very short video (which can also be seen on the Project Factory stand throughout the day) showing some of the social activities, the thing that is really driving demand in these environments.</p>
<p>SELF CUT VIDEO â€œa montage of a variety of experiencesâ€ (in background starting up SL if connectivity for demo)</p>
<p>So a brief taste of what goes on inworld, very experiential activities such as dancing, sport, â€˜inworld tourismâ€™, education, collaborative building and so on. These are often missed or ignored by the mainstream press. With my other hat on as Director of the Laboratory for Advanced Media Production at AFTRS I am also active in the educational areas in Second Life where collaborative, experiential teaching is growing into a powerful tool &#8211;  a very vibrant and active community. But who are the real inhabitants? In Second Life it is far from being just young males. The average age is 33 and women constitute around 43% of the total. Interestingly the time spent gender wise is reversed. Of the total time spent by all participants, females account for 60%. Looking at the international split around 31% are from the USA, 48% Europe and 21% rest of the world. Europe is by far the fastest growing area now with growing numbers of English, French, Dutch and Germans so the servers (currently in San Fran and Texas are in the wrong place!). Back to the age question, one fascinating statistic I gleaned last week from Phil Rosedale, the CEO of the makers of Second Life, was that those over 60 years old spend 30% more time in Second Life than those aged 30. Lets try to pop into world now, hopefully, and have a quick two minute wander.</p>
<p>DEMO INWORLD. This space is called the Pond. The one that the Project Factory produced and built for Telstra BigPond. I am not sure who is around but regardless lets have a look at how Second Life works. That is me, the one with the wings and here I am at the main welcome area. Lets go for a short walk, if we meet anyone we may have a chat. It is important to have a welcoming or totally unique environment, look the ripples on the lake, palms, things to do, boating, dancing and of course a popular pastime, flying â€“ (impro a bit here depending on audience reactions). I would like you to notice too how the advertising and brand presence is not â€˜in your faceâ€™, more about that later. CLOSE DEMO.</p>
<p>Second life is not just about sex, money and griefing. Griefing, by the way, is a term used to describe irritating behaviour, which actually is extremely easy to control. Most of the stories you hear about â€˜virtual terrorismâ€™ is really a toxic combination of unprepared companies inworld and the media that likes to find â€˜an angleâ€™, just like the real world then. The Project Factory and other Second Life developers have many easy to implement strategies to reduce this to a minimum.</p>
<p>Onto money and opportunities for brands. For the moment it is about getting in there early (first mover advantage), learning about what works and collaborating with the existing resident communities. This both shows that you are ahead of the curve but also open to really having a direct relationship with your customers and most importantly learning from them. It is a way to reach and understand your existing clients and prepare for what will be a mass audience in a very short time. A recent inworld survey by CB News in partnership with RepÃ¨res asked over 1000 Second Life residents their opinion of real world brands and there were some surprisingly results. 66% believe that the presence of RL brands has a positive impact on SL and 45% of respondents even want more brands because they enhance and give more credibility to Second Life, a realism and  make SL more interesting, by increasing the number of residents. But at the moment we are not talking about mass audiences. Successful brand presences, and two of the recent Project Factory builds in Second Life are in the top five, may have anywhere between 30-60 thousand unique visitors per quarter. These will seem like small numbers to some brand owners and advertisers, but, and here is where it gets very exciting,  the inhabitants are spending anything between 15 minutes and 6 hours per visit to your brand! That figure is unheard of in almost any other media even more significant and important for those concerned with reach is that those residents are the most active in the blogosphere, and millions of impressions are generated outside these worlds &#8211; they tell of their lengthy experiences in the other social networks.</p>
<p>Shopping in virtual worlds is actually fun for the inhabitants and comes up as one of the most popular pastimes. The ability to browse products alongside your trusted friends is more akin to the mall than eBay of course so this is a real opportunity for those who want to attempt to make in or out of world sales. The more progressive companies are allowing consumers to co-design product and even order real world product from within the environment. A simple example. Very similar experiences to real life are being created in these worlds such the shared â€˜mediaâ€™ experience â€“ listening to music, watching movies with others is pretty cool, you can chat and play-around with your fiends alongside the latest film. Dominos pizza realised this early and now allow you to order your â€˜realâ€™ pizza while you virtually watch movies with your â€˜distributed friendsâ€™. Dominoâ€™s IT director Jane Kimberlin said â€œSecond Life is where Dominoâ€™s customers are and therefore thatâ€™s where the pizza company needs to be too.â€</p>
<p>How to make money? As is well publicised (in fact I can&#8217;t believe I am still talking about this) Linden dollars is the Second Life currency which can be converted into real world dollars. There are some businesses operating in Second Life that are earning real money selling virtual products. These include clothing, dance animations, selling or leasing property, buying even selling shares and the number of Second Life residents generating more than US$5,000 in monthly income has more than quadrupled to 116 in the past year, according to Linden Lab. Also brands who create product inside Second Life own the IP inworld and more importantly they retain it if they move it outside and create out of world, real product, so great news for inworld R&amp;D. But selling things shouldnâ€™t be your focus. It should be about integrating your brand and becoming a trusted addition inside this unique and vibrant social network. You must add value and not just build and run or build and not be around to welcome your visitors. There are way too many empty branded spaces in some virtual worlds. Lets see some of the brands that have already taken the plunge, this is a short edit of a longer video I compiled on the stand and it looks at a few recognisable names.</p>
<p>SELF CUT VIDEO: Motion grabs of branded spaces in world. 3 minute edit of the longer 30 minute stand one.</p>
<p>Quite a few recognisable brands there, so how are they doing?. Well on Thursday last week I went inworld and using the built in Search/Places facility which brings up the standardised traffic figures I looked at the â€˜dwellâ€™ traffic for each of them. Dwell is not just how many visits but how much of their inworld time they spent with each of the major brands. Also the inworld traffic measurement is the only real way to compare like with like which is why I am showing it to you. So here are the results.</p>
<p>1. <a href="http://my.bigpond.com/pond/secondlife/" target="_blank">BigPond</a> &#8211; 18139<br />
2. Pontiac &#8211; 13832<br />
3. IBM &#8211; 12850<br />
4. Showtime (L Word) &#8211; 7233<br />
5. <a href="http://www.abc.net.au/news/newsitems/200701/s1836755.htm" target="_blank">ABC TV Australia</a> &#8211; 6898<br />
6. NetG Training &#8211; 6536<br />
7. Mercedes-Benz &#8211; 5656<br />
8. Nissan &#8211; 4269<br />
9. Mazda &#8211; 2827<br />
10. Dell &#8211; 2759<br />
11. MTVN &#8211; 2317<br />
12. Toyota &#8211; 2119<br />
13. Sun Microsystems &#8211; 1728<br />
14. Sears &#8211; 1596<br />
15. Sony BMG &#8211; 1560<br />
16. Cisco &#8211; 1521<br />
17. Adidas Reebok &#8211; 1351<br />
18. Sony Ericsson &#8211; 1242<br />
19. PA Consulting Group &#8211; 1138<br />
20. Circuit City -1089<br />
21. Reuters &#8211; 1019<br />
22. BMW 842<br />
23. Intel &#8211; 829<br />
24. AOL &#8211; 797<br />
25. NBC Universal 745<br />
26. American Apparel &#8211; 596<br />
27. Starwood Hotels &#8211; 35</p>
<p>Great news for Australia with BigPond and ABC (built by the Project Factory) in the top five and this is months after launch, so outside the hype curve.  But why are some of the others so low? All those wonderfully designed, branded buildings with lots of things to do? Well to me a couple of the  critical elements that many brands have missed are -<br />
Firstlyâ€“ Creating spaces that are just really nice to spend a long time in. Sounds simple but many corporate builds are just cold and too representational. They should be organic, of value and welcoming and where inhabitants can create their identities inside their own stories. Of particular note is the outback bar area of the Pond which is currently in the top ten of all second life brands itself on a &#8216;dwell&#8217; basis, but more importantly it is part of a mix of features and functions that you need to create.<br />
Secondly â€“ A space where the inhabitants can create or contribute to the environment. So both The Pond and ABC have sandbox areas where residents (particularly new ones) learn to build and add things to the branded space. Also requests for changes from the visitors to the existing build should be taken seriously and acted on. Give them a sense of ownership of the space and they will thank you which will build trust.<br />
Thirdly â€“ Be authentic and talk to them at an equal level. Too many companies still talk down to their customers as their avatars do the â€˜hard sales pitchâ€™ thing. This is a real opportunity to show the human side to the brand, give it personality and again that insight will be endearing to the residents. A major consideration for many brands is to actually commit &#8216;real life&#8217; people to be in the environment with the visitors 24/7. If you think you wont be able to collaboratively manage the community by factoring in the human resource follow-up, it might make sense not to start at all.</p>
<p>Advertising in these worlds are often seen as a big no, no from those inworld. Especially the old in your face, irrelevant, broadcast ad model. One thing we are experimenting with at the Project Factory is personalized and targetd advertising. This is not some Orwellian (or Minority Report) nightmare, more a way that the environment (at its crudest level ad hoardings) will change dependent on who is around them but there are many more subtle ad R&amp;D experiments we are trailing. We, like many other developers, are learning as we go along and will never assume that this sort of functionality will prevail. An area that we definitely believe is here to stay is allowing residents to creatively interact with your brand or product. So let them co-design new product with you and listen to what they say about your existing products or services. Never before have brands had this opportunity to be so close to the consumer, you are in there with them, in real time, collaboratively.</p>
<p>Companies succeed in virtual worlds when they take much more of a lifestyle approach to their marketing. Whether you choose to go down this road and participate or not, Virtual Worlds will remain to be one of the most compelling ways we will interact socially and commercially in the future. The Project Factoryâ€™s virtual world services are also about merging the real with the virtual and creating experiences that are interactive, social and immersive. It is a very exciting time to be involved now at the dawning of this very real, virtual revolution. I hope that this brief talk wheted your appetite. If you want more come talk to us on our stand and check out the website listed here.</p>
<p>Thank you and time for a few questions?</p></blockquote>
<p>and not mine but a great video about potential for brands (albeit slightly smoke and mirrors re: the interactions in this video) from Text100 and thousands of views on YouTube.</p>
<p><a href="http://www.muvedesign.com/talk-transcript-opportunities-in-disruptive-3d-social-worlds/"><em>Click here to view the embedded video.</em></a></p>
<p>Posted by Gary Hayes Â©2007
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